Blood Chatter with…Red Tash

One of my goals with Bloody Bookish is to not only celebrate horror, speculative and dark fiction, but to spotlight indie authors, as well as female and Canadian dark fiction authors.

Bloody Bookish has already included numerous features on females who are carving out their own place in the darkness, and to kick off our celebration of Women in Horror Month, we will be revisiting the one and only Red Tash, who shares her career path and what she thinks of women horror authors!

Can you start off by telling everyone about your background – when you first started writing and what you write.

Well, I started off writing as a kid.  Pretty much as soon as I figured out how to spell and draw pictures, I was illustrating my own stories.  I was one of those lonely latchkey kids who was sometimes left outdoors for hours and hours at a time, so my imagination was a very special place.  I didn’t think of it as fiction writing at the time, but from a very early age, I finished my own sentences mentally with the dialogue tags “she said,” and of course, those of my friends with “he said, while climbing the monkey bars.”  The Narrator was always with me, observing.

As an adult, I tried to smash my personality down into what I was told would be more profitable forms of employment, but I ended up writing for a living, anyway.  I became a nationally syndicated newspaper columnist, and I had all manner of blogs, podcasts, videos, and other personal projects going on while I freelanced for newspapers and magazines.  I really only dabbled in fiction and poetry, publishing a little of each over the years.  I was more comfortable editing for others while I worked on my own book.  That book became the story This Brilliant Darkness, which has been a best-selling, top-rated Dark Fantasy on the Amazon charts for the past few months.

Dark Fantasy can be a mixed bag, ranging from swords & dragons to Sookie Stackhouse, to horror bloodbaths.  This Brilliant Darkness is a more of a contemporary, philosophical monster story.  A recent reviewer was searching for a genre to put it in, and he called it “a thinking man’s (or woman’s) paranormal urban dark fiction.”  If that doesn’t scare you off, there’s a whole scientific piece to it that was heavily researched.  I decided during editing that the story really did lean more toward horror than science fiction, so I cut the extraneous info on time travel and wormholes and the like, and focused more on the characterization, as it moves the story forward.  It’s still there, though, and other reviewers have praised the plausibility of this sort of thing actually happening.  That was something I definitely did not expect!

 

Speculative fiction – including Science Fiction, Fantasy and Horror (and all their sub-genres) – are often seen as male-dominated genres. Do you think that stigma still exists?

That is a fabulous question.  I really have not encountered any blowback based on my gender, in regard to having authored this book.  While I haven’t gone through and counted, I’m going to go out on a limb here and say that men have tended to be the loudest, most enthusiastic fans of my work.  Maybe because men make up the majority of the cast of characters, I don’t know!  I was always one of the guys growing up–the token female on the high school wrestling team, stuff like that–so it would not surprise me if that carried over to my fiction writing career.

I will tell you this, as a second-generation business woman: men tend to have fewer emotional obstacles to overcome on their way to success in whatever field they choose.  Even if they do feel “emo” about their writing, men are not encouraged to wallow, to go “Ack!” like Cathy and drown their angst in chocolate.  It’s not manly to drown your sorrows all that often, is it?  I mean, a shot of whiskey once in awhile, but not a full week of every month.  I think women are almost expected to have a week of bad days every month, write it off as PMS, and just live with it.  Guess what?  Men have the same emotional ups and downs that women do, but the expectation that they compete for their shot in the spotlight, their turn at being the star–that gets a lot of mileage culturally and professionally.

Women may not historically have been publicly encouraged to go for it as seriously as their brothers, fathers, husbands, and sons have been, but I do think that is changing.  It’s not spec fic, but there was a big stink raised when Jodi Picoult & Jennifer Weiner complained via twitter that the NYT wasn’t reviewing their books (or the books of women at all), even though the two of them were always on the best-seller list.  Is that indicative of a bias toward men? I think the world is biased professionally toward men across most career venues, because our culture expects men to pride themselves on being providers.  Women aren’t held to that same cultural expectation, despite the very real necessity of women to achieve career success to earn an income.

If there’s a stigma about women writing speculative fiction, it exists in the mind of individual readers.  I personally have a stigma against romance novels.  Does that mean all romance novels are awful?  No.  But it would take the glowing review of a friend, with very specific reasons about why I would like a particular book, to convince me to read a romance.  That is the only way you’ll change a reader’s mind.  One book recommendation at a time.

 

Do you think publishers or readers still act as though women writing these genres are a novelty?

Not at all.  I think JK Rowling’s success writing Harry, Ron, Dumbledore, Snape, & Voldemort knocked the last brick from that wall.  I recall when Connie Willis won the Grand Master award last year.  It was just kind of like “Here’s the winner,” not “OMG, the winner’s a lady-writer!”

At least, that’s my perspective.  I can’t honestly begin to guess what publishers think, in general, but I think readers are most definitely over that.

 

Have you ever felt any resistance from others stemming from the fact that you are a woman writing in a darker genre?

I’ve been welcomed with open arms, best I can tell!

 

Name some of the female spec-fic writers that you like.

JK Rowling, Holly Black, Melissa Marr, Suzanne Collins, Madeline L’Engle (huge influence).  It’s funny–I guess I don’t think much about gender when it comes to writers, because I keep wanting to name men, too.  I just think of the books I like, & the authors who write them.  I think if a writer focuses on the story, the story is genderless.  It certainly feels that way when I’m writing–like you’re just telling the facts, as you recall them.  I honestly don’t think there’s a noticeable difference in regard to gender in this genre between men and women.  Outside speculative fiction, there probably is.  I’m sure romance vs. men’s action stories is a great extreme example of that kind of thing. But not in spec fic–at least not in my end of the neighborhood.

 

What would you say to other female writers out there looking to explore the darker side of fiction?

Go for it, ladies!  In roller derby, we used to say “Skirt up!” instead of “Man up!”  Instead of saying “It takes balls,” we would say something else, too.  Use your imagination!  ;)

You have every right to pursue your dreams, and if your dreams are dark and scary, then pretend every day is Halloween and get your freak on!  You will always look back with regret at the chances you didn’t take–but if you try and fail, you can always move on to the next thing.  There’s no shame in that, and we all know scars make for great stories!

 

Do you have any parting words for the readers of Bloody Bookish? What are you working on now?

Right now I’m doing a re-read of my latest book, Troll Or Derby, before I send it off for editing.  A few beta-readers have bits and pieces of it, as well.  That’s pretty exciting.  It’s a YA fantasy along the lines of Holly Black’s Tithe, but it’s set in rural Indiana, and it’s got fairies and trolls and roller derby.  I started writing it in 2008, so it’s a long time coming.  I’d like to find a publisher for it, because I think it’s going to have a much broader appeal than my first book did, and I would love to release my version of rural fairy insanity onto the world in one fell swoop!

As soon as I can put that to bed for beta-readers and editors and formatters to handle, I get to start writing the sequel to This Brilliant Darkness.  It’s going to be called That Crackling Silence, and it is going to tie up the unanswered questions at the end of This Brilliant Darkness.  I’ve had a reader or two threaten me bodily harm because of what happens to Christine at the end of TBD, but I have huge plans for Christine in TCS, and I’m anxious to finish the draft and get that ready for a 2012 release.  I started writing this story in 2005, so that has been a very long time coming, as well, and I am chomping at the bit to go.

If I get those two projects completed in 2012, that’ll be a big year!  But of course I’ve got a list of other fiction projects, as well, including another free short about The Wizard.  Last time, The Wizard took a holiday.  This time, he’ll be taking a fitness class.  I have no idea when that’ll be done.  Hopefully soon!  I’ve also got a deadline for an anthology, where I’ll be including a short story set at The Corner Cafe, from This Brilliant Darkness.  Lots of fun stuff coming up!

I do encourage readers to look me up.  I tweet, I’m on FB (Profile & Fan Page), I blog daily, all that stuff.  Not only am I on these sites, but I unless you are a creep, I will actually acknowledge your existence and carry on a conversation with you.  LOL.  I can’t always answer right away, because my life is pretty hectic, but the beauty of these sites is that I don’t need to–we can take our time and get to know each other, talk about books, whatever you’d like.

Buy This Brilliant Darkness on Amazon

If you want to read more of our interviews with female horror authors, check out this list of some of the most bad-assed authors on the block!:



Table of contents for Women in Horror

  1. Blood Chatter with…Red Tash
  2. Blood Chatter with K.V. Taylor
  3. Blood Chatter With Rhiannon Frater
  4. Blood Chatter with Liisa Ladouceur
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Strange Men in Pinstripe Suits by Cate Gardner

It is fitting that I should close out January’s Bloodlight and lead in to Women in Horror Month with a review of Cate Gardner’s Strange Men in Pinstripe Suits.

I think many people get the wrong impression of horror. It’s almost a dirty word in some cases, as it conjures up images of blood-soaked axes and mask-clad madmen.

Not that there’s anything wrong with that. I’m a horror lover through and through, and I am obviously not averse to the use of a little grisly gore to get the blood pumping.

But these days, authors everywhere are experimenting when it comes to horror fiction, and Cate’s book is a shining example of how one can add magic, surrealism, lyricism and beauty to the blood-soaked genre, and come away with something that is beautiful in its darkness.

Strange Men in Pinstripe Suits is like a perfect chocolate-box of dark fiction — delectable and indulgent, with hints of both sweetness and darkness.

With both shorter and longer pieces, as well as some prose mixed in for good measure, this sampling is meant to be enjoyed as you fancy.

Feel like indulging in a little fantastical fiction? Or maybe have a craving for something sinister or macabre?

There are stories for every palette here, and Cate’s intoxicating way with words will leave you wanting more.

There is atmosphere in every tale, like in The Scratch of An Old Record, where the sound echoes “along the upstairs hallway” and the mood creeps yet still manages to entice.

Not only do I envy Cate’s ability to weave these magical tales that entrance the reader so fully, she also masters the craft of creating titles that conjure up stark images that immediately draw one in.

From The Moth Brigade:

“Michael’s metal wings folded back as he tried to fade into the backdrop of the underground train.”

From Opheliac:

“Perched on a rusting shopping trolley, three fathoms below the surface, the man in the top hat and pinstripe suit wound a necklace made from teeth and bone around his knuckles.”

From The Forest Of Discarded Hearts:

“On a Tuesday morning in October, Ruby Ash discovered it is possible to disappear overnight; that all it takes is someone willing to wish you away”

Whether Cate is telling the tale of a curmudgeonly writer and the man in the white jacket who could be the answer to his lost nightmares (Insomniac Ink), the story of Sally Stevens and the magic parasol that allows her to fly as high as the heavens (Parasol Dance With The Chalkstripe Man), or the Grim Reaper Man and his below-world (Other Side of Nowhere), each tale feels like a curious adventure into the daydreams of fairies, ghosts and other night-dwelling creatures.

If you are looking for a book that will treat you to an otherworldly adventure without ever leaving your room, Strange Men in Pinstripe Suits offers readers a sneak peek into wondrous worlds where, underneath the darkness, the unusual and the strange are illuminated.

Strange Men in Pinstripe Suits by Cate Gardner
Strange Publications, 191 pages

I want to wholeheartedly thank Cate for her wonderful posts and for sharing her mysterious and magical world. It was a real treat to have you here at Bloody Bookish!

 



Table of contents for Bloodlight - Cate Gardner

  1. The Travelling Theatrical Tour: Twitter Rules
  2. In Conversation With Cate Gardner
  3. Our Theatre of Curious Acts Winners
  4. Strange Men in Pinstripe Suits by Cate Gardner
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In Conversation With…Jack Wallen

Sometimes reading a horror author’s book is just not enough.

Want to know what makes the most disturbed minds in dark fiction tick?

Check out our interview with author Jack Wallen, where he shares his experiences as an indie author of an impressive list of titles that will scare you into submission – then leave you with bloodlust for the next.

Welcome Jack! Can you start off by telling everyone about your background – when you first started writing and what you write.

I was an actor for twenty years. During that time I started writing stage plays. But something very strange happened while I was in graduate school. I was with a group of wonderfully close friends and we were very much into role playing games. We were deep into the heart and soul of Vampire: The Masquerade when I realized there was so much depth to the character I was playing that he needed a book!

I was just absolutely sure I could write it. And I did…but it was horrible and never saw the light of day. But that kick started something inside of me that would be picked up some ten years later when I realized my career as an actor wouldn’t last forever. I knew the economy was going to knock theatre in the gut and I had to have another means with which to express my artistic soul. I remembered that story and how much joy it brought me. That’s all it took.

2. Why did you decide to go the self-publishing/POD route with your work instead of submitting it to traditional publishers?

Most of my books defy the traditional genres and I refuse to lock either my books or myself down to tradition roles. I was pimping A Blade Away to agents and publishers, but no one was brave enough to publish a book that dared breathe life to the taboo that is a transgendered killer killing transgendered men!

Add to that my desire to have more control over every aspect of my work and you have the makings for a perfect marriage. I do my book covers, I write my blurbs, and do my marketing. It’s a full-time job, but one that I truly enjoy. I love every aspect of writing — I love getting my hands dirty with the reaching out to readers and the blogging and such.

My choice to go indie also has everything to do with the fact that the writing was so clearly written on the wall. The traditional model was dying. Just like newspapers, the old regime simply has become too rigid and not agile enough to handle the speed of need demanded by consumers. Writers can publish so much more quickly now — the traditional model can’t keep up. They simply aren’t ereader friendly.

3. What misconceptions do you think people have about self-publishing? How would you/have you tried to blow these misconceptions out of the water?

The biggest misconception is that indie writers aren’t as good as traditional writers. In most cases we are better. The only difference is we don’t have the financial backing and marketing power that traditional writers have enjoyed. But most readers will find, once they discover an indie author they like — the writing is just as good.

I’m also a reader and over the last two years I’ve enjoyed far more indie authors than I have traditional authors.

There’s another misconception that we don’t put as much time and effort into our books. Not so. Take my books, for example: I write a rough draft, do first rewrites, send them to beta readers, take in their feedback, make changes, send the book to two different editors, and then finally send it to another editor for formatting. It’s a lot of work…and most of us are doing this while we have full time jobs.

4. How do you handle wearing so many hats as a writer – author, editor, cover artist, marketing master etc.?

The hat I wear has a built-in therapist up inside. Plus I was already a bit ‘touched’ before I hopped on this crazy hayride.

I’ll be honest — it’s tough at times. There are days I’m not sure what I should be doing — writing, marketing, blogging, or sleeping. But I will admit I am no editor. I have dyslexia, so my ability to edit my work is nil. That is why I have people that take on that task for me. If I didn’t I would be making a huge mistake. But then I strongly believe no writer should ever think they are capable of editing their own work. If you are one of those that feel you can, stop what you’re doing immediately and rethink your decision to be a writer.

No one can do everything. Period.

5. If you could impart one piece of wisdom onto up-and-coming authors who are faced with new mediums for sharing their work and an ever-changing landscape in the book & publishing world, what would it be?

There are going to be days when you feel your confidence has been sucked out your backside and there’s just no reason to continue on. Those days are many, no matter where you are in sales, rankings, contracts, profit…it’s just part of the game. You have to allow for that and you can’t let it break your spirit. Sure, it’s going to get you down. There will be days when you simply want to give up…you can’t. When you are hit with those days you just have to write through it. Lose yourself in your work and don’t let the negative reviews, the lack of sales kill your spirit or your drive.

It’s a long, tough road, but it’s one that is so worth the effort. Even when you feel like nothing is going your way; remember how cathartic your writing is. It’s therapy and some day that therapy is going to make you money.

6. What final words would you like to share with the readers of Bloody Bookish?

I break rules — a lot of them. I kill characters and go down dark paths many writers are afraid to visit. If you enjoy a crazy ride, one with some genuine characters and ever-changing landscapes, give my books a try.

My next books include the following:

  • Engame: The next Fringe Killer book.
  • Shero II Zombie A Go go: Everyone’s favorite transgender superhero.
  • Lie Zombie Lie: The fourth book in the I Zombie series (Bethany is back and she’s PISSED).
  • Klockwerk Kabaret: My first book in an upcoming steampunk series.
  • The Nails of Calvary: The first in what I am tentatively calling the “Job Trilogy”

You can find out more about my on my website (http://www.monkeypantz.net), follow me on Twitter (@jlwallen), or on Facebook (http://www.facebook.com/jlwallen). If you’re looking for a book cover designer, check out my company, Adorkable Designs (http://www.adorkabledesigns.net).

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Our Theatre of Curious Acts Winners

Well, two lucky readers of Bloody Bookish are about to win a real treat, courtesy of January’s Bloodlight featured author – Cate Gardner!

The entries for our Theatre of Curious Acts contest have been tallied!

So, who is ready to delve into the magical world of Cate Gardner?

First up…

The winner of 1st PRIZE: A signed hardback copy of Theatre of Curious Acts is James Everington!

And not to be outdone, the winner of our 2nd PRIZE: A signed paperback copy of Theatre of Curious Acts is Deborah Walker!

CONGRATULATIONS!!!

Please email bloodybookish[at]gmail[dot]com to provide your mailing address and to claim your coveted prize!

Thanks again to everyone who entered and shared this contest. And look out tomorrow for the final post in Cate’s Bloodlight series, where I’ll be sharing my review of her writing.



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Skeletal Sculptures for your Sweetie

Looking for a special somethin’-somethin’ for your beloved this coming Valentine’s Day?

How about a handcrafted, three-dimensional skeleton to warm his or her heart?

This Zombie Skeleton Take My Heart Metal Sculpture from Zed’s Zombie Ranch is a unique way to tell your love that they have stolen your heart.

Completely handcrafted in steel, this sculpture stands 8” tall and is also available in a handful of other poses including various guitar-playing stances as well as a zombie chowing down on an unsuspecting victim.

Prices: range from $57.48USD

 

 

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Spotlight on Nightface by Lydia Peever

Horror fiction lovers who are looking for the type of vampire that both thrills and chills, look no further than Lydia Peever’s Nightface.

About Nightface:

It is gory. It is vicious. It is not a love story. He could not remember a thing. Who he was or where he came from. After finding his landlady’s mutilated body, where he was going became more important. He has visions of the undead. An abandoned house of isolated opulence lures him. Then he meets Sinthia – the only person who really recognizes him – and her hundreds of scars.

Little did Gunnar know that running to Ottawa put him face to face with his future, let alone his vicious past. None of the puzzle pieces fall into place, until he turns his back on the day.

 

Available in:

 

About the Author

Lydia Peever has been writing both fiction and non-fiction for two decades. Living in the cities and countryside of Ontario, Canada, her writing style is as diverse as her interests. You can find her researching in a dusty library or bookstore, haunting a trendy cafe, or tending her garden of poisonous flowers.

She has published in the Ottawa Citizen, other smaller newspapers, various places online as well as the Algonquin Times and Glue magazine through Algonquin College. She posts at typicallydia.com, nightface.ca, and ottawahorror.com. Nightface is her first novel.

 

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Updates, Sponsors & Discounts

Heads up! I’ve added a few new deadlines to the Calendar:

Don’t forget to check out our sponsors:

Nightface by Lydia Peever: He has visions of the undead. An abandoned house of isolated opulence lures him.

Then he meets Sinthia – the only person who really recognizes him – and her hundreds of scars.

 

 

Everything Theory by Barry Napier: “The Sixth Sense meets The X-Files…Barry Napier does an outstanding job of drawing you into the storyline while teasing you with glimpses of the larger world to come.

Everything Theory: Cold Compass is a veritable page turner that will leave you begging for the next book, and has all the qualities of being an epic series.”
-Gabriel Beyers, author of Guarding the Healer

 

I Zombie: The Series: I Zombie is the exciting post-apocalyptic zombie series by Jack Wallen surrounding the Mengele virus and a cast of survivors hell-bent on taking down the government-run collective attempting to cleanse the world of those they don’t deem worthy.

 

 

 

And a little bird told me you can save 20% on any of David J Rodger’s Sci-fi, Dark Fantasy, Cyberpunk and Cthulhu Mythos fiction until 20th Jan! Check out David’s store on Lulu & get on the deal (use code PRICETHAW at checkout)!

 

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In Conversation With Cate Gardner

The buzz about Cate Gardner’s writing is as enticing as her writing itself.

Described as weird, strange, surreal, quirky and whimsical, one cannot resist the temptation of delving into any one of Cate’s many works.

But reviewers and fans alike are not simply paying lip service. Cate’s writing is otherwordly, and the author took some time out of creating these magical worlds to tell me a bit about how she creates her sometimes dark but always lovely little places to escape to.

Can you start off by telling everyone about your background – when you first started writing and what you write.

Cate: I first started writing at thirteen/fourteen. Just silly love songs with a friend who could play guitar. I thought I could play guitar too. I also thought I could sing. That fell by the wayside when I went to college and started partying, and then, in my early twenties I started writing poetry, which progressed into short stories and then longer works.

I’ve always loved reading, but as a child, I never considered that I could one day write. If you’ll hold on a second, I’ll just get the violin out… We were very poor, lived in a little dilapidated house, and my books were either second hand or from the library. Little girls like me didn’t grow up to be anything. Little girls like me didn’t grow up to be writers. Okay, I’ll put the violin away now. Then I grew up and realised, anyone can be anything they want to be. Except maybe a singer.

As to what I write – dark, fantastical stories with a surreal bent. I also like to add a little humour to the darkness.

 

What influences do you credit for your unique writing style?

Cate: Tim Burton, Charles Addams, Lemony Snicket, butterflies, depression, optimism, brain cells, my sense of humour, and every story I’ve ever read.

 

In the very first lines of Nowhere Hall, you take what could be a very everyday situation and weave magic into it with creative wordplay. Do you agonize over every word in every sentence or do these fantastical phrases come to you fully-formed?

Cate: I agonize over every word. Do fantastical phrases ever come fully formed? It’d be a slice of Heaven if they did. I twist sentences every which way and then twist them back again. I suspect I’m not alone in doing that.

When I’m in final draft mode I try to consider every word and make sure that they’re doing their job and if I can think of a better word then I replace the former.

When I’m writing something new, I ache to be at that fixing each word stage. Of course, when I’m at that state, I want to be writing something new.

 

Would you say your writing is “very British”?

Cate: I’m inclined to say no. Although, I suspect that’s a question for readers to answer, and even their opinions would probably differ depending on their background and nationality. For me, modern horror writers such as Gary McMahon and Simon Bestwick write what I view as very British stories. They set their tales in the sort of places I grew up in and still live in, well except for the supernatural elements and the scary stuff – although my mirror often tries to convince me that monsters exist.

Maybe my writing is more ‘eccentric Brit’. And, to contradict my original answer, I guess it must be British to a certain extent because I am British.

 

You know I (and many others) have said you are the Queen of Awesome Story Titles. I remember once suggesting that you should open up the Cate Gardner  School of Denomination…Or maybe it was Demonization :)   Either way, I imagine you lounging in a hammock, plucking the perfect story title from the night sky. Is it really that magical for you, Cate?

Cate: Ha! No. In a recent guest post over at Deborah Walker’s blog, I revealed my secret book of titles (that wasn’t really a secret at all). I keep a notebook with me at all times and if I hear, read, or think of something that would make, in my opinion, a marvelous story title then I note it down. Sometimes I write a story using the title as a prompt. Sometimes I have an idea for a story or I’ve completed a story (using a provisional title – I always like to have a working title even if it’s something naff) and steal an appropriate title from my notebook. Other times, finding a title is absolute Hell. I’ll scribble a thousand possible titles and shuffle words here and there until I get one that I’m happy to use.

I’d like to thank all the people who’ve said my story titles are good. They ensure I’m never lazy when choosing a title.

 

Now about your characters…would you say you like to give them flaws equal to their strengths?

Cate: My characters flaws are probably greater than their strengths. I do prefer to write about broken people – broken people who are determined to be optimistic. Maybe their optimism is their strength and maybe their optimism means they’re not broken at all. I shall change that to ‘I prefer to write about people who the world has tried to break and no matter how many times they’re kicked they keep on battling.’ Yes, that sounds much better.

 

Which of your own characters is your favorite and why?

Cate: I love Swan Ecklund (from my novella ‘Theatre of Curious Acts‘) because he is a complete cad. He’s also rather handsome.

 

When one reads one of your stories, it is evident that it is a Cate Gardner tale. You definitely leave your fingerprints all over each story, while still allowing each one to shine on its own. How did you hone your writing into the wonderfully fantastical, strange, surreal, dark & dreamy state that it currently appears?

I haven’t a clue. Oops, that’s a terrible answer. I guess it’s a simple case of my head is full of strange, surreal, and dark things. It’s just how I view the world. They’re who I am. Considering that fact, I am now very afraid of some of my writer friends.

 

What are your plans for the new year? What goals do you hope to tackle and are there any barriers you are determined to break through this year?

Cate: My immediate goals are to write a novel (Cobweb Strings of the Rotting House), to write another novella (plan in progress, no title as of yet), and to stop twittering 24-7. The barrier I’m determined to break through is my shyness and in doing so attend a convention. However, the tickets aren’t booked yet.  I will book them. I will.

 

Lastly, let everyone know a bit about your upcoming adventures, places to find you, and any parting words you are itching to share.

Cate: I have short stories forthcoming in Dagan Book’s ‘Fish’ and Rainstorm Press‘ ‘Ice Picks’ anthologies and I’m looking forward to reading the other stories in those.

It’s always good to see how other writers interpret the prompts.

Plus, I’ve recently had two novellas published – Theatre of Curious Acts (Hadley Rille Books) and Barbed Wire Hearts (Delirium Books).

 

Need a little more Cate in your life? Don’t forget that we are running a contest where you can win either a hardback or paperback copy of Cate’s Theatre of Curious Acts. The contest runs until January 29, but I wouldn’t wait until the last minute to enter. These books are in high demand!

Thanks again to Cate for sharing the details of her writing life! Our Bloodlight features on Cate continue next week with a review!



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The Travelling Theatrical Tour: Twitter Rules

It’s time to get this bloody party started!

Today marks the first of our Bloodlight posts for January featuring the lovely Miss Cate Gardner.

Although we’ve never met, I feel like I know Cate. Always there with a supportive word and a self-deprecating wit that is perfectly endearing, this Liverpudlian is one of the most unique voices in dark fiction that I have read.

I know you will be as enchanted as I am by Cate, so make yourself a spot of tea, and settle in as we hear from January’s Bloodlight author!

Thank you to Mary for inviting me into the blood-spattered caverns of Bloody Bookish as part of my blog tour celebrating the release of my book Theatre of Curious Acts. As Mary is the Queen of Social Media, I thought a post about Twitter, my favourite social media site, would be apt.

There are many guides on how to best use ‘or’ how not to use Twitter. Sometimes I agree with what they say and sometimes I don’t. I suspect you’re the same. Nobody will ever please everyone. It’s impossible. I’m not right. They’re not right. You’re not right either.

Here are some things that are important to me when using twitter… They will possibly not be important to you at all.

Tweet what you want to tweet
Follow those who inspire, delight and, perhaps, frighten you.

 

Communicate
In real life, I lack confidence but on the internet, I can be as loud as the loudest extrovert is. Well almost, sort of, at least people actually hear my squeaks. Heck, I even mistakenly called Joe Hill ‘dude’ once, but he didn’t notice. It’s unlikely such greats will hear your squeaks so squeak away and have fun doing it.

And yes, most of all have fun and as long as you’re respectful to other people, Twitter what inspires you.

 

What do I get out of Twitter?
I get to chat to folk from all over the world, people like our host, and without Twitter I may never have ‘met’ these people or had the honour to call some of them friends. They’re the reason, and the only reason, I stick with Twitter because for the most part it eats into your writing time. And I could quit anytime, I could. I really could.

If I need inspiration to get a story started, I gather a collection of words / individual tweets and spin a story from them. I’ve also, when I’m in fast draft mode, flicked through my Twitter list to find a character’s name.  My Twitter friends make excellent placemats until I have time to think of something more suitable.

When someone tweets that they’ve had a story published or links to an article I’d like to read (and if I’m particularly good and about to start writing), I minimize the distraction by adding the tweet to my favourites list to read later. You can also use your favourites list to retweet something hours after the original tweet appeared and thus gather further attention for the other person’s tweet.

Of course, we should end this how to and how not to and what I do guide with a typical snapshot of my Twitter usage…

My nephew wanted to use my laptop. I told him I just had to check my email and Twitter and then it was all his. I assured him I wouldn’t be more than five minutes. Half an hour later, he asked if I’d finished. My response, ‘Erm, nearly, honestly, well I will be if you’d please wheel the office chair away from the desk and disconnect me.’

He’d have told me I had a problem if he hadn’t started his internet session by logging into Facebook.

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Cate’s  novellas Theatre of Curious Acts and Barbed Wire Hearts are available from all good online bookstores. More information can be found at www.categardner.net

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Don’t forget that you can win either a hardcover or paperback copy of Theatre of Curious Acts in our contest. Go now and enter!!!

And be sure to check back next week when we post a review of one of Cate’s works.



Table of contents for Bloodlight - Cate Gardner

  1. The Travelling Theatrical Tour: Twitter Rules
  2. In Conversation With Cate Gardner
  3. Our Theatre of Curious Acts Winners
  4. Strange Men in Pinstripe Suits by Cate Gardner
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Cate Gardner Steps Into The Bloodlight

What’s better than starting the New Year off with a new featured author? That’s right, kids. January’s Bloodlight is ready to shine on the irreplaceable Cate Gardner!

Throughout the month, we will be shining the spotlight on Cate, through a series of reviews, interviews and special features.

And Cate is starting it off with a bang – the chance to win one of 2 great prizes in a new Bloody Bookish contest!

 

THE PRIZES

1st PRIZE: A signed hardback copy of Theatre of Curious Acts
2nd PRIZE: A signed paperback of Theatre of Curious Acts

 

THE DEETS
Want to know how to win? It’s easy peasy!

1. Comment on this blog post and let me know you want to be entered

Yeah – it’s that easy! But you can also win a few bonus entries into the contest.

 

BONUS ENTRIES
1. Follow Cate on Twitter
2. Tweet about the contest (try “Win a copy of Theatre of Curious Acts by @categardner from @bloodybookish”)
3. Follow Bloody Bookish on Twitter

 

Remember, you have to do all of the bonus tasks through the Rafflecopter form below OR leave a comment letting me know which ones you have completed. Otherwise, I will not know to alot you your bonus entries!

If you already follow us or Cate on Facebook or Twitter and would like to be entered into the contest, just post that in the comments too. Claim all your bonus entries for a better chance at winning a copy of this gorgeous book by a dazzling talent!

Come back on Monday for the first of Cate’s feature blogs. We are very excited to host her!

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